the major writings of Jonathan Edwards is to provide a general orientation in “how to read Jonathan Edwards.” As I give guidance in how to read Edwards, though, I feel like what I suspect the baroque expert feels when told to guide a class of students in how to listen to Bach. The best way to listen to Bach is to put on the Brandenburg Concertos, turn up the volume, and open up your ears. The best way to learn how to read Jonathan Edwards is not to listen to someone else talk about him but to listen
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